20210222 Stephen Irwin

 Monday, 22 February

#Today was the birthday of Stephen Irwin. He was an environmentalist from Australia.

Stephen Robert Irwin (22 February 1962 – 4 September 2006), nicknamed "The Crocodile Hunter", was an Australian zookeeper, television personality, wildlife expert, environmentalist, and conservationist.

Irwin achieved worldwide fame from the television series The Crocodile Hunter (1996–2007), an internationally broadcast wildlife documentary series that he co-hosted with his wife Terri. The couple also hosted the series Croc Files (1999–2001), The Crocodile Hunter Diaries (2002–2006), and New Breed Vets (2005). They also co-owned and operated Australia Zoo, founded by Irwin's parents in Beerwah, about 80 kilometers (50 mi) north of the Queensland state capital of Brisbane.

Irwin died on 4 September 2006 after being pierced in the chest by a stingray barb while filming in Australia's Great Barrier Reef. His death became international news and was met with expressions of shock and grief by fans, the media, governments, non-profit organizations, and other celebrities. Numerous parks, zoos, streets, and an asteroid have been named in his honor. The Sea Shepherd Conservation Society named its Island-class patrol vessel MY Steve Irwin after Irwin. His widow Terri Irwin, with whom he had two children, continues to operate Australia Zoo.

Irwin was born on his mother's birthday to Lyn and Bob Irwin in Upper Ferntree Gully, a suburb of Melbourne. He was of Irish descent on his father's side. He moved with his parents as a child to Queensland in 1970, where he attended Landsborough State School and Caloundra State High School. Irwin described his father as a wildlife expert interested in herpetology, while his mother Lyn was a wildlife rehabilitator. After moving to Queensland, Bob and Lyn Irwin started the small Queensland Reptile and Fauna Park, where Steve grew up around crocodiles and other reptiles.

Irwin became involved with the park in a number of ways, including taking part in daily animal feeding, as well as care and maintenance activities. On his sixth birthday, he was given a 12-foot (4 m) scrub python. He began handling crocodiles at the age of nine after his father had educated him on reptiles from an early age. Also at age nine, he wrestled his first crocodile, again under his father's supervision. He worked as a volunteer for Queensland's East Coast Crocodile Management program and captured over 100 crocodiles, some of which were relocated, while others were housed at the family park. Irwin took over the management of the park in 1991 and renamed it Australia Zoo in 1998.

In 1991, Irwin met Terri Raines, an American naturalist from Eugene, Oregon, who was visiting wildlife rehabilitation facilities in Australia and had decided to visit the zoo. According to the couple, it was love at first sight. Terri said at the time, "I thought there was no one like this anywhere in the world. He sounded like an environmental Tarzan, a larger-than-life superhero guy." They were engaged four months later and were married in Eugene on 4 June 1992. Together they had two children: a daughter, Bindi Sue Irwin (born 24 July 1998), and a son, Robert Clarence (named after Irwin's father) Irwin (born 1 December 2003). Bindi Sue is jointly named after two of Steve Irwin's favorite animals: Bindi, a saltwater crocodile, and Sui, a Staffordshire Bull Terrier. Irwin was as enthusiastic about his family as he was about his work. He once described his daughter Bindi as "the reason [he] was put on the Earth." His wife once said, "The only thing that could ever keep him away from the animals he loves are the people he loves even more." Although the Irwins were happily married, they did not wear wedding rings; they believed that in their line of work, wearing jewelry could pose a hazard to them and/or the animals.

Steve and Terri spent their honeymoon trapping crocodiles together. Film footage of their honeymoon, taken by John Stainton, became the first episode of The Crocodile Hunter. The series debuted on Australian TV screens in 1996 and made its way onto North American television the following year. The Crocodile Hunter became successful in the United States, the UK, and over 130 other countries, reaching 500 million people. Irwin's exuberant and enthusiastic presenting style, broad Australian accent, signature khaki shorts, and catchphrase "Crikey!" became known worldwide. Sir David Attenborough praised Irwin for introducing many to the natural world, saying "He taught them how wonderful and exciting it was. He was a born communicator."

American satellite and cable television channel Animal Planet ended The Crocodile Hunter with a series finale titled "Steve's Last Adventure." The Last Crocodile Hunter documentary spanned three hours with footage of Irwin's across-the-world adventure in locations including the Himalayas, the Yangtze River, Borneo, and the Kruger National Park. Irwin went on to star in other Animal Planet documentaries, including Croc Files, The Crocodile Hunter Diaries, and New Breed Vets. During a January 2006 interview on The Tonight Show with Jay Leno, Irwin announced that Discovery Kids would be developing a show for his daughter, Bindi Sue Irwin – a plan realized after his death as the series Bindi the Jungle Girl.

In 1998, Irwin continued, working with director Mark Strickson, to present The Ten Deadliest Snakes in the World. He appeared on several episodes of The Tonight Show with Jay Leno. A 2000 FedEx commercial with Irwin lightheartedly dealt with the possibility of occupational death from snakebite and the fanciful notion that FedEx would have saved him if only FedEx were used.

Under Irwin's leadership, the operations grew to include the zoo, the television series, the Steve Irwin Conservation Foundation (later renamed Wildlife Warriors), and the International Crocodile Rescue. Improvements to the Australia Zoo include the Animal Planet Crocoseum, the rainforest aviary, and Tiger Temple. Irwin mentioned that he was considering opening an Australia Zoo in Las Vegas, Nevada, and possibly at other sites around the world.

In 2001, Irwin appeared in a cameo role in the Eddie Murphy film Dr. Dolittle 2, in which an alligator warns Dolittle that he knows Irwin is going to grab him and is prepared to attack when he does, but Dolittle fails to warn Irwin in time. Irwin's only starring feature film role was in 2002's The Crocodile Hunter: Collision Course, which was released to mixed reviews. In the film, Irwin (who portrayed himself and performed numerous stunts) mistakes some CIA agents for poachers. He sets out to stop them from capturing a crocodile, which, unknown to him, has actually swallowed a tracking transmitter. The film won the Best Family Feature Film award for a comedy film at the Young Artist Awards. The film was produced on a budget of about US$12 million and has grossed $33 million. To promote the film, Irwin was featured in an animated short produced by Animax Entertainment for Intermix.

In 2002, Irwin and his family appeared in the Wiggles video/DVD release Wiggly Safari, which was set in Australia Zoo and featured singing and dancing inspired by Australian wildlife. Irwin fronted an advertising campaign for The Ghan in 2003, a passenger train operating between Adelaide, Alice Springs, and Darwin. A Pacific National NR class locomotive was named Steve Irwin as part of the campaign. Irwin provided his voice for the 2006 animated film Happy Feet, as an elephant seal named Trev. The film was dedicated to Irwin, as he died during post-production. Another, previously incomplete scene, featuring Irwin providing the voice of an albatross and essentially playing himself, was restored to the DVD release.

Irwin was also involved in several media campaigns. He enthusiastically joined with the Australian Quarantine and Inspection Service to promote Australia's strict quarantine/customs requirements, with advertisements and posters featuring slogans such as, "Quarantine Matters! Don't muck with it". His payments for these advertising campaigns were directed into his wildlife fund.

In 2004, Irwin was appointed ambassador for The Ghan, the passenger train running from Adelaide to Alice Springs in the central Australian outback, when the line was extended all the way to Darwin on the northern coast that year. For some time he was sponsored by Toyota.

Irwin was a keen promoter for Australian tourism in general and Queensland tourism in particular. In 2002, the Australia Zoo was voted Queensland's top tourist attraction. His immense popularity in the United States meant he often promoted Australia as a tourist destination there. As a part of the United States' "Australia Week" celebrations in January 2006, Irwin appeared at UCLA's Pauley Pavilion in Los Angeles, California.

In November 2003, Irwin was filming a documentary on sea lions off the coast of the Baja California Peninsula in Mexico when he heard via his boat's radio that two scuba divers were reported missing in the area. Irwin and his entire crew suspended operations to aid in the search. His team's divers searched with the rescue divers, and Irwin used his vessel to patrol the waters around the island where the incident occurred, as well as using his satellite communications system to call in a rescue plane. On the second day of the search, kayakers found one of the divers, Scott Jones, perched on a narrow rock ledge jutting out from the side of a cliff. Irwin and a crew member escorted him to Irwin's boat. The other lost diver, Katie Vrooman, was found dead by a search plane later the same day not far from Jones' location.

In 1997, while on a fishing trip on the coast of Queensland with his father, Irwin discovered a new species of turtle. Later given the honor of naming the newly discovered species, he named it Irwin's turtle (Elseya irwini) after his family. Another newly discovered Australian animal – a species of air-breathing land snail, crikey steveirwini, was named after Irwin in 2009.

Irwin was awarded the Centenary Medal by the Australian government in 2001 for his "service to global conservation and to Australian tourism".[40] In 2004, he was recognized as Tourism Export of the Year. He was also nominated in 2004 for Australian of the Year but it was awarded to Australian cricket captain Steve Waugh, while Irwin was named 2004 Queensland Australian of the Year. Shortly before his death, Irwin was to be named an adjunct professor at the University of Queensland's School of Integrative Biology. On 14 November 2007, Irwin was awarded the adjunct professorship posthumously. In 2007, Irwin was posthumously inducted into the Logie Hall of Fame.

In May 2007, the government of Rwanda announced that it would name a baby gorilla after Irwin as a tribute to his work in wildlife conservation. Also in 2007, the state government of Kerala, India named the Crocodile Rehabilitation and Research Centre at Neyyar Wildlife Sanctuary in his honor; however, Terri objected that this action had been taken without her permission and asked the Kerala government in 2009 to stop using Irwin's name and images – a request with which the state government complied in mid-2009.

Irwin was inducted in 2009 into the Queensland Business Leaders Hall of Fame, recognized for international entrepreneurship both in business and wildlife conservation, significantly contributing to Queensland and its international reputation and in 2015, Irwin was a posthumous recipient of the Queensland Greats Awards. In 2017 it was announced that Irwin would be posthumously honored with a star on the Hollywood Walk of Fame. The star was unveiled on 26 April 2018. On 22 February 2019, the 57th anniversary of Irwin's birth, the search engine Google released a Google Doodle commemorating him, in the form of a slideshow.

Irwin was a passionate conservationist and believed in promoting environmentalism by sharing his excitement about the natural world rather than preaching to people. He was concerned with the conservation of endangered animals and land clearing leading to loss of habitat. He considered conservation to be the most important part of his work: "I consider myself a wildlife warrior. My mission is to save the world's endangered species." Irwin bought "large tracts of land" in Australia, Vanuatu, Fiji, and the United States, which he described as "like national parks" and stressed the importance of people realizing that they could each make a difference.

Irwin founded the Steve Irwin Conservation Foundation, which became an independent charity and was later renamed "Wildlife Warriors Worldwide". He also helped found International Crocodile Rescue, the Lyn Irwin Memorial Fund (named in memory of his mother, who died in an automobile crash in 2000), and the Iron Bark Station Wildlife Rehabilitation Facility.

Irwin urged people to take part in considerate tourism and not support illegal poaching through the purchase of items such as turtle shells or shark-fin soup.

Sir David Attenborough was an inspiration to Irwin, according to his widow. When presenting a Lifetime Achievement Award to Attenborough after Irwin's death at the British National Television Awards on 31 October 2006, Terri Irwin said, "If there's one person who directly inspired my husband it's the person being honored tonight.... [Steve's] real, true love was conservation – and the influence of tonight's recipient in preserving the natural world has been immense." Attenborough reciprocated by praising Irwin for introducing many to the natural world, saying, "He taught them how wonderful and exciting it was, he was a born communicator."

Irwin, after his death, was described by Mark Townend, CEO of RSPCA Queensland, as a "modern-day Noah." British naturalist David Bellamy lauded his skills as a natural historian and media performer. Canadian environmentalist David Suzuki paid tribute to Irwin, noting that "[h]umanity will not protect that which we fear or do not understand. Steve Irwin helped us understand those things that many people thought were a nuisance at best, a horror at worst. That made him a great educator and conservationist."

After his death, the vessel MV Robert Hunter owned by the environmental action group Sea Shepherd Conservation Society was renamed MY Steve Irwin. Shortly before his death, Irwin had been investigating joining Sea Shepherd's 2007–2008 voyage to Antarctica to disrupt Japanese whaling activity. Following his death, the organization suggested renaming their vessel, and this idea was endorsed by Terri Irwin. Regarding the ship and its new name, Terri said, "If Steve were alive, he'd be aboard with them!"

Irwin loved mixed martial arts competitions and trained with Greg Jackson in the fighting/grappling system of Gaidojutsu.

Like many Australians, he was an avid cricket fan. This was seen during his visit to Sri Lanka where he played cricket with some local children and said "I love cricket" and "It's a shame we have to go catch some snakes now". This was seen during the Crocodile Hunter episode "Island of the Snakes".

Having grown up in Essendon, Irwin was a fan of the Essendon Bombers, an Australian rules football club in the Australian Football League. Irwin took part in an Australian Rules football promotion in Los Angeles as part of "Australia Week" in early 2006. After his death, a picture of Irwin wearing a Bombers guernsey was shown by ESPN.com in their Bottom 10 ranking of the worst Division I FBS college football teams after Week 1 of the season in tribute to him.

Having lived in Queensland most of his life, Irwin was also a fan of the rugby league. As a teenager, he played for the Caloundra Sharks as a second-rower, and as an adult, he was known to be a passionate Brisbane Broncos fan and was involved with the club on several occasions. On one occasion after turning up to training he asked if he could tackle the largest player, Shane Webcke. Despite being thrown to the ground and looking like he'd been crushed he was jovial about the experience. Irwin laughingly shared the experience with the Queensland State of Origin squad before the 2006 series. Irwin also supported the rugby union, being a fan of the national team, the Wallabies. He once wore a Wallaby jersey during a demonstration at the zoo. A behind-the-scenes episode of The Crocodile Hunter showed Irwin and the crew finding a petrol station in a remote part of Namibia to watch the Wallabies defeat France in the 1999 Rugby World Cup Final. Irwin was also a talented surfer.

A controversial incident occurred during a public show on 2 January 2004, when Irwin carried his one-month-old son, Robert, in his arm while hand-feeding a chicken carcass to Murray, a 3.8-meter (12 ft 6 in) saltwater crocodile. The infant was close to the crocodile, and comparisons were made in the press to Michael Jackson's dangling his son outside a German hotel window. In addition, some child welfare groups, animal rights groups, and some of Irwin's television viewers criticized his actions as irresponsible and tantamount to child abuse. Irwin apologized on the US NBC show Today. Both he and his wife publicly stated that Irwin was in complete control of the situation, as he had dealt with crocodiles since he was a small child, and based on his lifetime of experience neither he nor his son was in any danger. He also showed footage of the event shot from a different angle, demonstrating that they were much farther from the crocodile than they had appeared in the publicized clip. Terri Irwin said their child was in no more danger than one being taught to swim. No charges were filed; according to one journalist, Irwin told officials he would not repeat the action. The incident prompted the Queensland government to change its crocodile-handling laws, banning children and untrained adults from entering crocodile enclosures.

In June 2004, allegations were made that he disturbed wildlife (namely whales, seals, and penguins) while filming a documentary, Ice Breaker, in Antarctica. The matter was subsequently closed without charges being laid.

After questions arose in 2003 about Irwin being paid $175,000 worth of taxpayers' money to appear in a television advertisement and his possible political ties, Irwin told the Australian Broadcasting Corporation (ABC) that he was a conservationist and did not choose sides in politics. His comments describing Australian Prime Minister John Howard as the "greatest leader in the world" earned him scorn in the media.

Irwin was criticized for having an unsophisticated view of conservation in Australia that seemed more linked to tourism than to the problems Australia faces as a continent. In response to questions of Australia's problems with overgrazing, salinity, and erosion, Irwin responded, "Cows have been on our land for so long that Australia has evolved to handle those big animals." The Sydney Morning Herald concluded with the opinion that his message was confusing and amounted to "eating roos and crocs is bad for tourism, and therefore crueler than eating other animals".

Irwin died on 4 September 2006 after being pierced in the chest by a stingray barb while filming in the Great Barrier Reef. The stinger penetrated his thoracic wall, causing massive trauma. He was at Batt Reef, near Port Douglas, Queensland, taking part in the production of the documentary series Ocean's Deadliest. During a lull in filming caused by inclement weather, Irwin decided to snorkel in shallow waters while being filmed in an effort to provide footage for his daughter's television program.

While swimming in chest-deep water, Irwin approached a short-tail stingray with an approximate span of two meters (6.5 ft) from the rear, in order to film it swimming away. According to the incident's only witness, "All of a sudden [the stingray] propped on its front and started stabbing wildly with its tail. Hundreds of strikes in a few seconds". Irwin initially believed he only had a punctured lung. However, the stingray's barb pierced his heart, causing him to bleed to death. The stingray's behavior appeared to have been a defensive response to being boxed in. Crew members aboard Irwin's boat administered CPR and rushed him to the nearby Low Isles where medical staff pronounced him dead.

Irwin's death is believed to be the only fatality from a stingray captured on video. Footage of the incident was viewed by Queensland state police as part of their mandatory investigations. All copies of the footage were then destroyed at the behest of Irwin's family. Production was completed on Ocean's Deadliest, which was broadcast in the US on the Discovery Channel on 21 January 2007. The documentary was completed with footage shot in the weeks following the accident, but without including any mention of Irwin's accidental death.

News of Irwin's death prompted reactions around the world. Then-Prime Minister John Howard expressed "shock and distress" at the death, saying that "Australia has lost a wonderful and colorful son." Queensland's then-Premier Peter Beattie remarked that Irwin would "be remembered as not just a great Queenslander, but a great Australian". The Australian federal parliament opened on 5 September 2006 with condolence speeches by both Howard and the Leader of the Opposition, Kim Beazley. Flags at the Sydney Harbour Bridge were lowered to half-mast in honor of Irwin. In the days following Irwin's death, reactions dominated Australian online news sources, talk-back radio programs, and television networks. In the United States, where Irwin had appeared in over 200 Discovery Network television programs, special tributes appeared on the Animal Planet channel, as well as on CNN and major TV talk shows. Thousands of Irwin's fans visited Australia Zoo after his death, paying their respects and bringing flowers, candles, stuffed animals, and messages of support.

Jacques Cousteau's grandson and Jean-Michel's nephew, Philippe Cousteau Jr., called Irwin "a remarkable individual". Describing the Ocean's Deadliest project (on which he worked along with Irwin), Philippe said, "I think why Steve was so excited about it that we were looking at these animals that people think of as, you know, dangerous and deadly monsters, and they're not. They all have an important place in the environment and in the world. And that was what his whole message was about."

In the weeks following Irwin's death, at least ten stingrays were found dead and mutilated on the beaches of Queensland, with their tails cut off, prompting speculation as to whether they might have been killed by fans of Irwin as an act of revenge, although, according to the chairman of the Queensland fishing information service, anglers regularly cut the tails off of accidentally caught stingrays to avoid being stung. Michael Hornby, a friend of Irwin and executive director of his Wildlife Warrior fund, condemned any revenge killings, saying that "We just want to make it very clear that we will not accept and not stand for anyone who's taken a form of retribution. That's the last thing Steve would want."

Family and friends of Irwin held a private funeral service in Caloundra on 9 September 2006. Irwin was buried in a private ceremony at Australia Zoo later that same day; the gravesite is inaccessible to the zoo's visitors. Prime Minister Howard and Queensland Premier Beattie had offered to hold a state funeral, but Irwin's family decided this would not be appropriate, and—in the words of his father—he would have preferred to be remembered as an "ordinary bloke".

On 20 September, a public memorial service, introduced by Russell Crowe, was held in Australia Zoo's 5,500-seat Crocoseum; this service was broadcast live throughout Australia, the United States, the UK, Germany, and Asia, and it is estimated to have been seen by over 300 million viewers worldwide. The memorial included remarks by Prime Minister Howard; Irwin's father Bob and daughter Bindi; his associates Wes Mannion and John Stainton; and celebrities from Australia and around the world. Anthony Field of The Wiggles partly hosted the service, often sharing the screen with various animals, from koalas to elephants. Australian music star John Williamson sang "True Blue", which was Irwin's favorite song. In a symbolic finish to the service, Irwin's truck was loaded up with gear and driven out of the arena for the last time as Williamson sang. As a final tribute, Australia Zoo staff spelled out Irwin's catchphrase "Crikey" in yellow flowers as Irwin's truck was driven from the Crocoseum for the last time to end the service.

On 1 January 2007, Glass House Mountains Road, the road that runs by the Australia Zoo, was officially renamed Steve Irwin Way. Later that year the Australian government announced that a 135,000-hectare (334,000-acre) national park was being created in northern Queensland and would be named the Steve Irwin Wildlife Reserve. An asteroid discovered in 2001 has been named 57567 Crikey, in honor of Irwin and his "signature phrase".

(https://en.m.wikipedia.org/wiki/Steve_Irwin)

#enoughfortoday #qmo

20201113 Frédéric Chopin

Friday, 13 November

#Today I wanna write about Chopin because yesterday I have written about the Taiwanese Drama, Secret.  

Frédéric François Chopin (UK: /ˈʃɒpæ̃/, US: /ʃoʊˈpæn/, French: [ʃɔpɛ̃], Polish: [ˈʂɔpɛn]), born Fryderyk Franciszek Chopin (1 March 1810 – 17 October 1849), was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation."

Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafter – in the last 18 years of his life – he gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a friendship with Franz Liszt and was admired by many of his other musical contemporaries, including Robert Schumann.

After a failed engagement to Maria Wodzińska from 1836 to 1837, he maintained an often troubled relationship with the French writer Amantine Dupin (known by her pen name, George Sand). A brief and unhappy visit to Mallorca with Sand in 1838–39 would prove one of his most productive periods of composition. In his final years, he was supported financially by his admirer Jane Stirling, who also arranged for him to visit Scotland in 1848. For most of his life, Chopin was in poor health. He died in Paris in 1849 at the age of 39, probably of pericarditis aggravated by tuberculosis.

All of Chopin's compositions include the piano. Most are for solo piano, though he also wrote two piano concertos, a few chamber pieces, and some 19 songs set to Polish lyrics. His piano writing was technically demanding and expanded the limits of the instrument, his own performances noted for their nuance and sensitivity. His major piano works also include mazurkas, waltzes, nocturnes, polonaises, the instrumental ballade (which Chopin created as an instrumental genre), études, impromptus, scherzos, preludes, and sonatas, some published only posthumously. Among the influences on his style of composition were Polish folk music, the classical tradition of J. S. Bach, Mozart, and Schubert, and the atmosphere of the Paris salons of which he was a frequent guest. His innovations in style, harmony, and musical form, and his association of music with nationalism, were influential throughout and after the late Romantic period.

Chopin's music, his status as one of music's earliest celebrities, his indirect association with political insurrection, his high-profile love-life, and his early death have made him a leading symbol of the Romantic era. His works remain popular, and he has been the subject of numerous films and biographies of varying historical fidelity.

Fryderyk Chopin was born in Żelazowa Wola, 46 kilometers (29 miles) west of Warsaw, in what was then the Duchy of Warsaw, a Polish state established by Napoleon. The parish baptismal record gives his birthday as 22 February 1810 and cites his given names in the Latin form Fridericus Franciscus (in Polish, he was Fryderyk Franciszek). However, the composer and his family used the birthdate 1 March, which is now generally accepted as the correct date.

Fryderyk's father, Nicolas Chopin, was a Frenchman from Lorraine who had emigrated to Poland in 1787 at the age of sixteen. Nicolas tutored children of the Polish aristocracy, and in 1806 married Tekla Justyna Krzyżanowska, a poor relative of the Skarbeks, one of the families for whom he worked. Fryderyk was baptized on Easter Sunday, 23 April 1810, in the same church where his parents had married, in Brochów. His eighteen-year-old godfather, for whom he was named, was Fryderyk Skarbek, a pupil of Nicolas Chopin. Fryderyk was the couple's second child and only son; he had an elder sister, Ludwika (1807–1855), and two younger sisters, Izabela (1811–1881) and Emilia (1812–1827). Nicolas was devoted to his adopted homeland and insisted on the use of the Polish language in the household.

In October 1810, six months after Fryderyk's birth, the family moved to Warsaw, where his father acquired a post teaching French at the Warsaw Lyceum, then housed in the Saxon Palace. Fryderyk lived with his family on the Palace grounds. The father played the flute and violin; the mother played the piano and gave lessons to boys in the boarding house that the Chopins kept. Chopin was of slight build, and even in early childhood was prone to illnesses.

Fryderyk may have had some piano instruction from his mother, but his first professional music tutor, from 1816 to 1821, was the Czech pianist Wojciech Żywny. His elder sister Ludwika also took lessons from Żywny, and occasionally played duets with her brother. It quickly became apparent that he was a child prodigy. By the age of seven Fryderyk had begun giving public concerts, and in 1817 he composed two polonaises, in G minor and B-flat major. His next work, a polonaise in A-flat major of 1821, dedicated to Żywny, is his earliest surviving musical manuscript.

In 1817 the Saxon Palace was requisitioned by Warsaw's Russian governor for military use, and the Warsaw Lyceum was reestablished in the Kazimierz Palace (today the rectorate of Warsaw University). Fryderyk and his family moved to a building, which still survives, adjacent to the Kazimierz Palace. During this period, Fryderyk was sometimes invited to the Belweder Palace as a playmate to the son of the ruler of Russian Poland, Grand Duke Constantine Pavlovich of Russia; he played the piano for Constantine Pavlovich and composed a march for him. Julian Ursyn Niemcewicz, in his dramatic eclogue, "Nasze Przebiegi" ("Our Discourses", 1818), attested to "little Chopin's" popularity.

From September 1823 to 1826, Chopin attended the Warsaw Lyceum, where he received organ lessons from the Czech musician Wilhelm Würfel during his first year. In the autumn of 1826, he began a three-year course under the Silesian composer Józef Elsner at the Warsaw Conservatory, studying music theory, figured bass, and composition. Throughout this period he continued to compose and to give recitals in concerts and salons in Warsaw. He was engaged by the inventors of the "aeolomelodicon" (a combination of piano and mechanical organ), and on this instrument, in May 1825 he performed his own improvisation and part of a concerto by Moscheles. The success of this concert led to an invitation to give a recital on a similar instrument (the "aeolopantaleon") before Tsar Alexander I, who was visiting Warsaw; the Tsar presented him with a diamond ring. At a subsequent aeolopantaleon concert on 10 June 1825, Chopin performed his Rondo Op. 1. This was the first of his works to be commercially published and earned him his first mention in the foreign press when the Leipzig Allgemeine Musikalische Zeitung praised his "wealth of musical ideas".

During 1824–28 Chopin spent his vacations away from Warsaw, at a number of locales. In 1824 and 1825, at Szafarnia, he was a guest of Dominik Dziewanowski, the father of a schoolmate. Here for the first time, he encountered Polish rural folk music. His letters home from Szafarnia (to which he gave the title "The Szafarnia Courier"), written in a very modern and lively Polish, amused his family with their spoofing of the Warsaw newspapers and demonstrated the youngster's literary gift.

In 1827, soon after the death of Chopin's youngest sister Emilia, the family moved from the Warsaw University building, adjacent to the Kazimierz Palace, to lodgings just across the street from the university, in the south annex of the Krasiński Palace on Krakowskie Przedmieście, where Chopin lived until he left Warsaw in 1830. Here his parents continued running their boarding house for male students; the Chopin Family Parlour (Salonik Chopinów) became a museum in the 20th century. In 1829 the artist Ambroży Mieroszewski executed a set of portraits of Chopin family members, including the first known portrait of the composer.

Four boarders at his parents' apartments became Chopin's intimates: Tytus Woyciechowski, Jan Nepomucen Białobłocki, Jan Matuszyński, and Julian Fontana; the latter two would become part of his Paris milieu. He was friendly with members of Warsaw's young artistic and intellectual world, including Fontana, Józef Bohdan Zaleski, and Stefan Witwicki. He was also attracted to the singing student Konstancja Gładkowska. In letters to Woyciechowski, he indicated which of his works, and even which of their passages, were influenced by his fascination with her; his letter of 15 May 1830 revealed that the slow movement (Larghetto) of his Piano Concerto No. 1 (in E minor) was secretly dedicated to her – "It should be like dreaming in beautiful springtime – by moonlight." His final Conservatory report (July 1829) read: "Chopin F., third-year student, exceptional talent, musical genius."

In September 1828 Chopin, while still a student, visited Berlin with a family friend, zoologist Feliks Jarocki, enjoying operas directed by Gaspare Spontini and attending concerts by Carl Friedrich Zelter, Felix Mendelssohn and other celebrities. On an 1829 return trip to Berlin, he was a guest of Prince Antoni Radziwiłł, governor of the Grand Duchy of Posen – himself an accomplished composer and aspiring cellist. For the prince and his pianist daughter Wanda, he composed his Introduction and Polonaise Brillante in C major for cello and piano, Op. 3.

Back in Warsaw that year, Chopin heard Niccolò Paganini play the violin, and composed a set of variations, Souvenir de Paganini. It may have been this experience which encouraged him to commence writing his first Études (1829–32), exploring the capacities of his own instrument. On 11 August, three weeks after completing his studies at the Warsaw Conservatory, he made his debut in Vienna. He gave two piano concerts and received many favorable reviews – in addition to some commenting (in Chopin's own words) that he was "too delicate for those accustomed to the piano-bashing of local artists". In one of these concerts, he premiered his Variations on Là ci darem la mano, Op. 2 (variations on a duet from Mozart's opera Don Giovanni) for piano and orchestra. He returned to Warsaw in September 1829, where he premiered his Piano Concerto No. 2 in F minor, Op. 21 on 17 March 1830.

Chopin's successes as a composer and performer opened the door to western Europe for him, and on 2 November 1830, he set out, in the words of Zdzisław Jachimecki, "into the wide world, with no very clearly defined aim, forever." With Woyciechowski, he headed for Austria again, intending to go on to Italy. Later that month, in Warsaw, the November 1830 Uprising broke out, and Woyciechowski returned to Poland to enlist. Chopin, now alone in Vienna, was nostalgic for his homeland, and wrote to a friend, "I curse the moment of my departure." When in September 1831 he learned, while traveling from Vienna to Paris, that the uprising had been crushed, he expressed his anguish in the pages of his private journal: "Oh God! ... You are there, and yet you do not take vengeance!" Jachimecki ascribes to these events the composer's maturing "into an inspired national bard who intuited the past, present, and future of his native Poland."

When he left Warsaw in late 1830, Chopin had intended to go to Italy, but violent unrest there made that a dangerous destination. His next choice was Paris; difficulties obtaining a visa from Russian authorities resulted in him getting transit permission from the French. In later years he would quote the passport's endorsement Passeport en passant par Paris à Londres ("In transit to London via Paris"), joking that he was in the city "only in passing."

Chopin arrived in Paris in late September 1831; he would never return to Poland, thus becoming one of many expatriates of the Polish Great Emigration. In France, he used the French versions of his given names, and after receiving French citizenship in 1835, he traveled on a French passport. However, Chopin remained close to his fellow Poles in exile as friends and confidants and he never felt fully comfortable speaking French. Chopin's biographer Adam Zamoyski writes that he never considered himself to be French, despite his father's French origins, and always saw himself as a Pole.

In Paris, Chopin encountered artists and other distinguished figures and found many opportunities to exercise his talents and achieve celebrity. During his years in Paris, he was to become acquainted with, among many others, Hector Berlioz, Franz Liszt, Ferdinand Hiller, Heinrich Heine, Eugène Delacroix, and Alfred de Vigny. Chopin was also acquainted with the poet Adam Mickiewicz, principal of the Polish Literary Society, some of whose verses he set as songs.

Two Polish friends in Paris were also to play important roles in Chopin's life there. His fellow student at the Warsaw Conservatory, Julian Fontana, had originally tried unsuccessfully to establish himself in England; Fontana was to become, in the words of Michałowski and Samson, Chopin's "general factotum and copyist". Albert Grzymała, who in Paris became a wealthy financier and society figure, often acted as Chopin's adviser and "gradually began to fill the role of the elder brother in [his] life."

At the end of 1831, Chopin received the first major endorsement from an outstanding contemporary when Robert Schumann, reviewing the Op. 2 Variations in the Allgemeine musikalische Zeitung (his first published article on music), declared: "Hats off, gentlemen! A genius." On 25 February 1832 Chopin gave a debut Paris concert in the "salons de MM Pleyel" at 9 rue Cadet which drew universal admiration. The critic François-Joseph Fétis wrote in the Revue et gazette musicale: "Here is a young man who ... taking no model, has found, if not a complete renewal of piano music, ... an abundance of original ideas of a kind to be found nowhere else ..." After this concert, Chopin realized that his essentially intimate keyboard technique was not optimal for large concert spaces. Later that year he was introduced to the wealthy Rothschild banking family, whose patronage also opened doors for him to other private salons (social gatherings of the aristocracy and artistic and literary elite). By the end of 1832, Chopin had established himself among the Parisian musical elite and had earned the respect of his peers such as Hiller, Liszt, and Berlioz. He no longer depended financially upon his father, and in the winter of 1832, he began earning a handsome income from publishing his works and teaching piano to affluent students from all over Europe. This freed him from the strains of public concert-giving, which he disliked.

Chopin seldom performed publicly in Paris. In later years he generally gave a single annual concert at the Salle Pleyel, a venue that seated three hundred. He played more frequently at salons but preferred playing at his own Paris apartment for small groups of friends. The musicologist Arthur Hedley has observed that "As a pianist, Chopin was unique in acquiring a reputation of the highest order on the basis of a minimum of public appearances – few more than thirty in the course of his lifetime." The list of musicians who took part in some of his concerts indicates the richness of Parisian artistic life during this period. Examples include a concert on 23 March 1833, in which Chopin, Liszt, and Hiller performed (on pianos) a concerto by J.S. Bach for three keyboards; and, on 3 March 1838, a concert in which Chopin, his pupil Adolphe Gutmann, Charles-Valentin Alkan, and Alkan's teacher Joseph Zimmermann performed Alkan's arrangement, for eight hands, of two movements from Beethoven's 7th symphony. Chopin was also involved in the composition of Liszt's Hexameron; he wrote the sixth (and final) variation on Bellini's theme. Chopin's music soon found success with publishers, and in 1833 he contracted with Maurice Schlesinger, who arranged for it to be published not only in France but, through his family connections, also in Germany and England.

In the spring of 1834, Chopin attended the Lower Rhenish Music Festival in Aix-la-Chapelle with Hiller, and it was there that Chopin met Felix Mendelssohn. After the festival, the three visited Düsseldorf, where Mendelssohn had been appointed musical director. They spent what Mendelssohn described as "a very agreeable day", playing and discussing music at his piano, and met Friedrich Wilhelm Schadow, director of the Academy of Art, and some of his eminent pupils such as Lessing, Bendemann, Hildebrandt, and Sohn. In 1835 Chopin went to Carlsbad, where he spent time with his parents; it was the last time he would see them. On his way back to Paris, he met old friends from Warsaw, the Wodzińskis. He had made the acquaintance of their daughter Maria in Poland five years earlier when she was eleven. This meeting prompted him to stay for two weeks in Dresden when he had previously intended to return to Paris via Leipzig. The sixteen-year-old girl's portrait of the composer is considered, along with Delacroix's, as among Chopin's best likenesses. In October he finally reached Leipzig, where he met Schumann, Clara Wieck, and Mendelssohn, who organized for him a performance of his own oratorio St. Paul, and who considered him "a perfect musician". In July 1836 Chopin traveled to Marienbad and Dresden to be with the Wodziński family, and in September he proposed to Maria, whose mother Countess Wodzińska approved in principle. Chopin went on to Leipzig, where he presented Schumann with his G minor Ballade. At the end of 1836, he sent Maria an album in which his sister Ludwika had inscribed seven of his songs, and his 1835 Nocturne in C-sharp minor, Op. 27, No. 1. The anodyne thanks he received from Maria proved to be the last letter he was to have from her.

Although it is not known exactly when Chopin first met Franz Liszt after arriving in Paris, on 12 December 1831 he mentioned in a letter to his friend Woyciechowski that "I have met Rossini, Cherubini, Baillot, etc. – also Kalkbrenner. You would not believe how curious I was about Herz, Liszt, Hiller, etc." Liszt was in attendance at Chopin's Parisian debut on 26 February 1832 at the Salle Pleyel, which led him to remark: "The most vigorous applause seemed not to suffice to our enthusiasm in the presence of this talented musician, who revealed a new phase of poetic sentiment combined with such happy innovation in the form of his art."

The two became friends, and for many years lived close to each other in Paris, Chopin at 38 Rue de la Chaussée-d'Antin, and Liszt at the Hôtel de France on the Rue Laffitte, a few blocks away. They performed together on seven occasions between 1833 and 1841. The first, on 2 April 1833, was at a benefit concert organized by Hector Berlioz for his bankrupt Shakespearean actress wife Harriet Smithson, during which they played George Onslow's Sonata in F minor for piano duet. Later joint appearances included a benefit concert for the Benevolent Association of Polish Ladies in Paris. Their last appearance together in public was for a charity concert conducted for the Beethoven Monument in Bonn, held at the Salle Pleyel and the Paris Conservatory on 25 and 26 April 1841.

Although the two displayed great respect and admiration for each other, their friendship was uneasy and had some qualities of a love-hate relationship. Harold C. Schonberg believes that Chopin displayed a "tinge of jealousy and spite" towards Liszt's virtuosity on the piano, and others have also argued that he had become enchanted with Liszt's theatricality, showmanship and success. Liszt was the dedicatee of Chopin's Op. 10 Études, and his performance of them prompted the composer to write to Hiller, "I should like to rob him of the way he plays my studies." However, Chopin expressed annoyance in 1843 when Liszt performed one of his nocturnes with the addition of numerous intricate embellishments, at which Chopin remarked that he should play the music as written or not play it at all, forcing an apology. Most biographers of Chopin state that after this the two had little to do with each other, although in his letters dated as late as 1848 he still referred to him as "my friend Liszt". Some commentators point to events in the two men's romantic lives which led to a rift between them; there are claims that Liszt had displayed jealousy of his mistress Marie d'Agoult's obsession with Chopin, while others believe that Chopin had become concerned about Liszt's growing relationship with George Sand.

In 1836, at a party hosted by Marie d'Agoult, Chopin met the French author George Sand (born [Amantine] Aurore [Lucile] Dupin). Short (under five feet, or 152 cm), dark, big-eyed, and a cigar smoker, she initially repelled Chopin, who remarked, "What an unattractive person la Sand is. Is she really a woman?" However, by early 1837 Maria Wodzińska's mother had made it clear to Chopin in correspondence that a marriage with her daughter was unlikely to proceed. It is thought that she was influenced by his poor health and possibly also by rumors about his associations with women such as d'Agoult and Sand. Chopin finally placed the letters from Maria and her mother in a package on which he wrote, in Polish, "My tragedy". Sand, in a letter to Grzymała of June 1838, admitted strong feelings for the composer and debated whether to abandon a current affair in order to begin a relationship with Chopin; she asked Grzymała to assess Chopin's relationship with Maria Wodzińska, without realizing that the affair, at least from Maria's side, was over.

In June 1837 Chopin visited London incognito in the company of the piano manufacturer Camille Pleyel, where he played at a musical soirée at the house of English piano maker James Broadwood. On his return to Paris, his association with Sand began in earnest, and by the end of June 1838, they had become lovers. Sand, who was six years older than the composer and had had a series of lovers, wrote at this time: "I must say I was confused and amazed at the effect this little creature had on me ... I have still not recovered from my astonishment, and if I were a proud person I should be feeling humiliated at having been carried away ..." The two spent a miserable winter on Majorca (8 November 1838 to 13 February 1839), where, together with Sand's two children, they had journeyed in the hope of improving Chopin's health and that of Sand's 15-year-old son Maurice, and also to escape the threats of Sand's former lover Félicien Mallefille. After discovering that the couple was not married, the deeply traditional Catholic people of Majorca became inhospitable, making accommodation difficult to find. This compelled the group to take lodgings in a former Carthusian monastery in Valldemossa, which gave little shelter from the cold winter weather.

On 3 December 1838, Chopin complained about his bad health and the incompetence of the doctors in Majorca, commenting: "Three doctors have visited me ... The first said I was dead; the second said I was dying; and the third said I was about to die." He also had problems having his Pleyel piano sent to him, having to rely in the meantime on a piano made in Palma by Juan Bauza. The Pleyel piano finally arrived from Paris in December, just shortly before Chopin and Sand left the island. Chopin wrote to Pleyel in January 1839: "I am sending you my Preludes [(Op. 28)]. I finished them on your little piano, which arrived in the best possible condition in spite of the sea, the bad weather, and the Palma customs." Chopin was also able to undertake work while in Majorca on his Ballade No. 2, Op. 38; on two Polonaises, Op. 40; and on the Scherzo No. 3, Op. 39.

Although this period had been productive, the bad weather had such a detrimental effect on Chopin's health that Sand determined to leave the island. To avoid further customs duties, Sand sold the piano to a local French couple, the Canuts. The group traveled first to Barcelona, then to Marseilles, where they stayed for a few months while Chopin convalesced. While in Marseilles Chopin made a rare appearance at the organ during a requiem mass for the tenor Adolphe Nourrit on 24 April 1839, playing a transcription of Franz Schubert's lied Die Gestirne (D. 444). In May 1839 they headed to Sand's estate at Nohant for the summer, where they spent most of the following summers until 1846. In autumn they returned to Paris, where Chopin's apartment at 5 rue Tronchet was close to Sand's rented accommodation on the rue Pigalle. He frequently visited Sand in the evenings, but both retained some independence. In 1842 he and Sand moved to the Square d'Orléans, living in adjacent buildings.

On 26 July 1840 Chopin and Sand were present at the dress rehearsal of Berlioz's Grande symphonie funèbre et triomphale, composed to commemorate the tenth anniversary of the July Revolution. Chopin was reportedly unimpressed with the composition.

During the summers at Nohant, particularly in the years 1839–43, Chopin found quiet, productive days during which he composed many works, including his Polonaise in A-flat major, Op. 53. Among the visitors to Nohant were Delacroix and the mezzo-soprano Pauline Viardot, whom Chopin had advised on piano technique and composition. Delacroix gives an account of staying at Nohant in a letter of 7 June 1842:

The hosts could not be more pleasant in entertaining me. When we are not all together at dinner, lunch, playing billiards, or walking, each of us stays in his room, reading or lounging around on a couch. Sometimes, through the window which opens on the garden, a gust of music wafts up from Chopin at work. All this mingles with the songs of nightingales and the fragrance of roses.

From 1842 onwards Chopin showed signs of serious illness. After a solo recital in Paris on 21 February 1842, he wrote to Grzymała: "I have to lie in bed all day long, my mouth and tonsils are aching so much." He was forced by illness to decline a written invitation from Alkan to participate in a repeat performance of the Beethoven 7th Symphony arrangement at Érard's on 1 March 1843. Late in 1844, Charles Hallé visited Chopin and found him "hardly able to move, bent like a half-opened penknife and evidently in great pain", although his spirits returned when he started to play the piano for his visitor. Chopin's health continued to deteriorate, particularly from this time onwards. Modern research suggests that apart from any other illnesses, he may also have suffered from temporal lobe epilepsy.

Chopin's relations with Sand were soured in 1846 by problems involving her daughter Solange and Solange's fiancé, the young fortune-hunting sculptor Auguste Clésinger. The composer frequently took Solange's side in quarrels with her mother; he also faced jealousy from Sand's son Maurice. Chopin was utterly indifferent to Sand's radical political pursuits, while Sand looked on his society friends with disdain. As the composer's illness progressed, Sand had become less of a lover and more of a nurse to Chopin, whom she called her "third child". In letters to third parties she vented her impatience, referring to him as a "child," a "little angel", a "sufferer" and a "beloved little corpse." In 1847 Sand published her novel Lucrezia Floriani, whose main characters – a rich actress and a prince in weak health – could be interpreted as Sand and Chopin; the story was uncomplimentary to Chopin, who could not have missed the allusions as he helped Sand correct the printer's galleys. In 1847 he did not visit Nohant, and he quietly ended their ten-year relationship following an angry correspondence which, in Sand's words, made "a strange conclusion to nine years of exclusive friendship". The two would never meet again.

Chopin's output as a composer throughout this period declined in quantity year by year. Whereas in 1841 he had written a dozen works, only six were written in 1842 and six shorter pieces in 1843. In 1844 he wrote only the Op. 58 sonatas. 1845 saw the completion of three mazurkas (Op. 59). Although these works were more refined than many of his earlier compositions, Zamoyski concludes that "his powers of concentration were failing and his inspiration was beset by anguish, both emotional and intellectual."

Chopin's public popularity as a virtuoso began to wane, as did the number of his pupils, and this, together with the political strife and instability of the time, caused him to struggle financially. In February 1848, with the cellist Auguste Franchomme, he gave his last Paris concert, which included three movements of the Cello Sonata Op. 65.

In April, during the Revolution of 1848 in Paris, he left for London, where he performed at several concerts and numerous receptions in great houses. This tour was suggested to him by his Scottish pupil Jane Stirling and her elder sister. Stirling also made all the logistical arrangements and provided much of the necessary funding.

In London, Chopin took lodgings at Dover Street, where the firm of Broadwood provided him with a grand piano. At his first engagement, on 15 May at Stafford House, the audience included Queen Victoria and Prince Albert. The Prince, who was himself a talented musician, moved close to the keyboard to view Chopin's technique. Broadwood also arranged concerts for him; among those attending were Thackeray and the singer Jenny Lind. Chopin was also sought after for piano lessons, for which he charged the high fee of one guinea per hour, and for private recitals for which the fee was 20 guineas. At a concert on 7 July, he shared the platform with Viardot, who sang arrangements of some of his mazurkas to Spanish texts. On 28 August he played at a concert in Manchester's Concert Hall, sharing the stage with Marietta Alboni and Lorenzo Salvi.

In late summer he was invited by Jane Stirling to visit Scotland, where he stayed at Calder House near Edinburgh and Johnstone Castle in Renfrewshire, both owned by members of Stirling's family. She clearly had a notion of going beyond mere friendship, and Chopin was obliged to make it clear to her that this could not be so. He wrote at this time to Grzymała: "My Scottish ladies are kind, but such bores", and responding to a rumor about his involvement, answered that he was "closer to the grave than the nuptial bed".He gave a public concert in Glasgow on 27 September,  and another in Edinburgh at the Hopetoun Rooms on Queen Street (now Erskine House) on 4 October. In late October 1848, while staying at 10 Warriston Crescent in Edinburgh with the Polish physician Adam Łyszczyński, he wrote out his last will and testament – "a kind of disposition to be made of my stuff in the future, if I should drop dead somewhere", he wrote to Grzymała.

Chopin made his last public appearance on a concert platform at London's Guildhall on 16 November 1848, when, in a final patriotic gesture, he played for the benefit of Polish refugees. By this time he was very seriously ill, weighing under 99 pounds (i.e. less than 45 kg), and his doctors were aware that his sickness was at a terminal stage.

At the end of November Chopin returned to Paris. He passed the winter in unremitting illness, but gave occasional lessons and was visited by friends, including Delacroix and Franchomme. Occasionally he played, or accompanied the singing of Delfina Potocka, for his friends. During the summer of 1849, his friends found him an apartment in Chaillot, out of the center of the city, for which the rent was secretly subsidized by an admirer, Princess Obreskoff. He was visited here by Jenny Lind in June 1849.

With his health further deteriorating, Chopin desired to have a family member with him. In June 1849 his sister Ludwika came to Paris with her husband and daughter, and in September, supported by a loan from Jane Stirling, he took an apartment at Place Vendôme 12. After 15 October, when his condition took a marked turn for the worse, only a handful of his closest friends remained with him. Viardot remarked sardonically, though, that "all the grand Parisian ladies considered it de rigueur to faint in his room."

Some of his friends provided music at his request; among them, Potocka sang and Franchomme played the cello. Chopin bequeathed his unfinished notes on a piano tuition method, Projet de méthode, to Alkan for completion. On 17 October, after midnight, the physician leaned over him and asked whether he was suffering greatly. "No longer", he replied. He died a few minutes before two o'clock in the morning. He was 39. Those present at the deathbed appear to have included his sister Ludwika, Princess Marcelina Czartoryska, Sand's daughter Solange, and his close friend Thomas Albrecht. Later that morning, Solange's husband Clésinger made Chopin's death mask and a cast of his left hand.

The funeral, held at the Church of the Madeleine in Paris, was delayed almost two weeks until 30 October. The entrance was restricted to ticket holders, as many people were expected to attend. Over 3,000 people arrived without invitations, from as far as London, Berlin, and Vienna, and were excluded.

Mozart's Requiem was sung at the funeral; the soloists were the soprano Jeanne-Anaïs Castellan, the mezzo-soprano Pauline Viardot, the tenor Alexis Dupont, and the bass Luigi Lablache; Chopin's Preludes No. 4 in E minor and No. 6 in B minor were also played. The organist was Louis Lefébure-Wély. The funeral procession to Père Lachaise Cemetery, which included Chopin's sister Ludwika, was led by the aged Prince Adam Czartoryski. The pallbearers included Delacroix, Franchomme, and Camille Pleyel. At the graveside, the Funeral March from Chopin's Piano Sonata No. 2 was played, in Reber's instrumentation.

Chopin's tombstone, featuring the muse of music, Euterpe, weeping over a broken lyre, was designed and sculpted by Clésinger. The expenses of the funeral and monument, amounting to 5,000 francs, were covered by Jane Stirling, who also paid for the return of the composer's sister Ludwika to Warsaw. As requested by Chopin, Ludwika took his heart (which had been removed by his doctor Jean Cruveilhier and preserved in alcohol in a vase), back to Poland in 1850. She also took a collection of two hundred letters from Sand to Chopin; after 1851 these were returned to Sand, who destroyed them.

Chopin's disease and the cause of his death have been a matter of discussion. His death certificate gave the cause of death as tuberculosis, and his physician, Cruveilhier, was then the leading French authority on this disease. Other possibilities that have been advanced have included cystic fibrosis, cirrhosis, and alpha 1-antitrypsin deficiency. A visual examination of Chopin's preserved heart (the jar was not opened), conducted in 2014 and first published in the American Journal of Medicine in 2017, suggested that the likely cause of his death was a rare case of pericarditis caused by complications of chronic tuberculosis.

The British Library notes that "Chopin's works have been recorded by all the great pianists of the recording era." The earliest recording was an 1895 performance by Paul Pabst of the Nocturne in E major Op. 62 No. 2. The British Library site makes available a number of historic recordings, including some by Alfred Cortot, Ignaz Friedman, Vladimir Horowitz, Benno Moiseiwitsch, Ignacy Jan Paderewski, Arthur Rubinstein, Xaver Scharwenka, and many others. A select discography of recordings of Chopin works by pianists representing the various pedagogic traditions stemming from Chopin is given by Methuen-Campbell in his work tracing the lineage and character of those traditions.

Numerous recordings of Chopin's works are available. On the occasion of the composer's bicentenary, the critics of The New York Times recommended performances by the following contemporary pianists (among many others): and Martha Argerich, Vladimir Ashkenazy, Emanuel Ax, Evgeny Kissin, Murray Perahia, Maurizio Pollini, and Krystian Zimerman. The Warsaw Chopin Society organizes the Grand Prix du Disque de F. Chopin for notable Chopin recordings, held every five years.

Chopin has figured extensively in Polish literature, both in serious critical studies of his life and music and in fictional treatments. The earliest manifestation was probably an 1830 sonnet on Chopin by Leon Ulrich. French writers on Chopin (apart from Sand) have included Marcel Proust and André Gide, and he has also been featured in works of Gottfried Benn and Boris Pasternak. There are numerous biographies of Chopin in English (see bibliography for some of these).

Possibly the first venture into fictional treatments of Chopin's life was a fanciful operatic version of some of its events. Chopin was written by Giacomo Orefice and produced in Milan in 1901. All the music is derived from Chopin's.

Chopin's life and romantic tribulations have been fictionalized in numerous films. As early as 1919, Chopin's relationships with three women – his youth sweetheart Mariolka, then with Polish singer Sonja Radkowska, and later with George Sand – were portrayed in the German silent film Nocturno der Liebe (1919), with Chopin's music serving as a backdrop. The 1945 biographical film A Song to Remember earned Cornel Wilde an Academy Award nomination as Best Actor for his portrayal of the composer. Other film treatments have included: La valse de l'adieu (France, 1928) by Henry Roussel, with Pierre Blanchar as Chopin; Impromptu (1991), starring Hugh Grant as Chopin; La note bleue (1991); and Chopin: Desire for Love (2002).

Chopin's life was covered in a 1999 BBC Omnibus documentary by András Schiff and Mischa Scorer, in a 2010 documentary realized by Angelo Bozzolini and Roberto Prosseda for Italian television, and in a BBC Four documentary Chopin – The Women Behind The Music (2010).

(https://en.m.wikipedia.org/wiki/Fr%C3%A9d%C3%A9ric_Chopin)

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